A tribute to George Martin, 1926-2016

1926-2016

News has swept the world this week of the sad passing of George Martin at the age of 90. As could only happen with a man of such talent and influence, tributes have been shared some of the greatest names in music including two particularly friends. It was Ringo Starr who announced his death of his Twitter profile, and Paul McCartney in a blog post on his website said the following: "From the day that he gave The Beatles our first recording contract, to the last time I saw him, he was the most generous, intelligent and musical person I’ve ever had the pleasure to know."

Everyone knows George Martin as "The fifth Beatle", and the man who produced, arranged, composed and even played on songs throughout the Fab Four's career. Although he reportedly described their tape that he was given by Beatles manager Brian Epstein "rather unpromising", it was Epstein's enthusiasm and Lennon and McCartney's vocals that convinced him to sign the unknown band in 1962. From that date on, Martin produced endless hits for The Beatles, including 19 number ones. Even in the decades after the band's break up, he produced McCartney's solo career and duets, Beatles anthologies and the Cirque du Soleil Beatles show, Love.

But it wasn't just The Beatles that Martin produced. The day after his death, Forbes Magazine announced on their website that Martin has the most number ones of any music producer, working with artists such as Cilla Black, Gerry and the Pacemakers, Elton John, Celine Dion and The Who. Martin also composed for film, winning an Oscar for A Hard Day's Night, and producing both Goldfinger and Live And Let Die. So, yes, in a way, it always comes back to the Beatles, but in my book, that's not a bad thing to come back to.

Now to pick a song to record by way of a tribute. I thought it would be hard to pick at first; do I go for a number one, or be completely controversial and go non-Beatles? I contemplated trying to track down what Martin's favourite track was, though I'm sure as such a private man, you wouldn't have been able to get the answer out of him. Instead, I went against all of those options, and opted for one of my favourite tracks which, on reflection, seems the only choice. In My Life was a hit for The Beatles in 1965, and appears on Rubber Soul, with a certain George Martin playing the Mozart-inspired piano solo in the middle. It was never released as a single so therefore never even had a chance at a number one spot, but ranked 5th in The Rolling Stone's list of the bands greatest ever songs. I have very strong personal connections to the song, meaning it will always be special to me, but in time of loss, it is simply the perfect track.

The Beatles at Shea Stadium, 50 Years Ago Today

Shea Stadium, 15th August 1965

If music is in your heart then surely, The Beatles must run through your veins. I’ve heard the odd idiot (yes, I said it) try and impress with the bold statement “I don’t like the Beatles”, and every time, I can’t help but shudder. I guess it’s forgivable for someone of my generation to, say, not be that acquainted with their discography, or call Hey Jude their best track, but to say you don’t like The Beatles is comparable to saying you don’t like… eating. You may not like eating spicy food, or you might prefer eating beans on toast to champagne and caviar, but no one could say they don’t like eating.  

The Beatles and Beatlemania not only changed the music industry but all of popular culture from 1960 onwards. On this day, we celebrate a very important anniversary in Beatles history. The stadium tour is a norm in today’s music scene; in London alone venues like Wembley and Twickenham play host to some of the world’s biggest stars when out of the sports season. But, it was fifty years ago today (see what I did there?) on 15^th August 1965, that the Beatles drew a record-breaking crowd of 55,600 fans to Shea Stadium in New York City, and hosted the first concert held in a venue of this size.

The following year a documentary of the concert, produced by Ed Sullivan, was released, which showcased extraordinary scenes unlike any that had been seen before. There are looks of astonishment across the Fab Four’s faces as Sullivan announces them onto the grass. Although perfectly clear in the film, in reality their playing was completely drowned out by the sound of screaming and crying, and the on-site security were fully occupied throughout the concert with the removal of fainting teenage girls, or those attempting to run out onto the stage. Cousin Brucie, the announcer on the night, put it quite simply in a recent interview. He said:

“This was a sociological experience. This was an amazing event, more than just the music. The music played almost a secondary role to what was going to happen at that particular moment in time.”

Here are some fun facts about the Shea Stadium show:

1. Seats in the upper deck cost $5.10 – that’s about $40/£25 in today’s money

2. In the audience that night were a young Meryl Streep as well as Linda Eastman and Barbara Bach (the future Mrs McCartney and Mrs Starr)

3. 25%-30% of the crowd that evening were male!

4. The concert made $304,000 in box office takings, of which the Beatles got $160,000

As with every concert on this tour, the set list was comprised of 12 songs. But which track should I choose to cover as tribute to the anniversary? One in particular stood out to me, a favourite of mine which, I can’t believe, only made it to No. 42 in Rolling Stone’s top 100 Beatles songs.

I Feel Fine was released in November 1964 and appears on the album Beatles ’65. Its opening note is the first example of feedback being used on a record, made by McCartney pressing his bass up to the amp. Just think how a single note, who knows, maybe even a mistake initially, paved the way for acts of the future to coin the technique (Townshend, Hendrix and Cobain, to name just a few…)

Lennon wrote the majority of the song, and came up with the riff whilst recording Eight Days A Week at Abbey Road. This riff is very close to Bobby Parker’s Watch Your Step, and although it has been suggested that Lennon may have stolen it, the inclusion of Parker’s track on the 2004 John Lennon’s Jukebox compilation ironically made Watch Your Step a hit in the UK. Bobby Parker isn’t the only influence on I Feel Fine. Lennon admitted that the inspiration for the drum piece came from Ray Charles’ What I’d Say, and you can hear this coming through on the vocals too. 

But all these factors aside, I Feel Fine still has all the elements to make a perfect Beatles' classic: Sweet, catchy rhymes, a poppy, toe-tapping rhythm and a simple, effective harmony. The trinity!